Story: Wong Wing-Fatt (Nick Cheung) is an exorcist who since his childhood days has the ability of the third eye. Thus, he can see ghosts
and is trying to help them or, if necessary, keep them in check. One of his exorcisms is put online and soon gets the attention of female reporter Fong Zi-Ling
(Sisley Choi) who is interested in interviewing him. Through Wing-Fatts protégé Chung (Louis Cheung) she manages to contact him, but Wing-Fatt doesn't care about
making friends with the media. When one day the second exorcist within only a few days is found dead Wing-Fatt decides to investigate the circumstances.
Soon he runs into the unusually tall ghost Hark (Shi Yanneng) who instructs the exorcist to track down the man who is responsible for his death and that
of his family. If the exorcist shouldn't be successful within the next few days Wing-Fatt will share the same fate as his colleagues. During his investigation
he also needs the help of reporter Fong Zi-Lin. However, Hark is the most dangerous ghost he has ever encountered...
Review: Nick Cheung couldn't really convince with his directorial debut "Hungry Ghost Ritual". He may
have proven that he has a sense for style, but didn't manage to give his film a heart. His second directorial attempt "Keeper of Darkness" in fact, and by far,
heads into a better direction and accordingly is also easier accessable by a lot. This isn't just because of the interesting and in a twisted way likeable
protagonist. The more lighthearted tone at times also adds to this. All in all the movie presents itself as an unsual mix of different genres, which
in and by itself would work out just fine if it weren't for the fact that the different parts aren't put together in a meaningful way, leading to the
movie looking less like one single picture, but more like a work with different color sectors. However, the atmosphere and the protagonists manage to hold
the film together in the end.
The story's heart is the white-haired exorcist, who Nick Cheung ("Unbeatable", "Helios") bestows just
the right amount of seriousness and deadpan humor upon. Thanks to him you will soon find yourself emerged in the ghost story which reminds you of those
90s flicks - just visually more polished. The story by Yeung Sin-Ling ("The Bullet Vanishes") actually revolves
around a particularly vengeful ghost, but too many elements take of the necessary weight this horror story could have had. Consequently, this flick isn't
creepy at any point, even though the atmosphere in fact reminds us of that of a horror film. Elements of a drama and a love story make this story zig-zag,
though, so that the result is some sort of disorientation. This is made even worse by some bad editing.
Up until the finale it's easy to overlook the problem of a shabby editing. But after realizing that the finale isn't the movie's actual climax it becomes
obvious that the flick all too often simply jumps from one scene to the next. At times even without having a real reason. It also remains questionable
why the movie has to pick up the romantic story thread and even add elements of a Korean tv drama to it, which the film actually made fun of prior
to that. The humor on the other hand works surprisingly well. Especially Louis Cheung ("Ip Man 3") who constantly gives Nick Cheung
good cues for him to show off the deadpan humor of his cool exorcist. In general, the movie's strong point lies in its protagonists and makes good use of
it. And the story is also constructed in a way that you easily could imagine further stories revolving around the tatooed exorcist.
The special effects are convincing for most part (only the CGI-fire can't even remotely keep up with them), but "Keeper of Darkness" deserves some special
words of praise for them, because they don't necessarily look like much in technical respect. But this is made up for by a lot of inventiveness. The dark
color palette and the distorted ghosts also enhance the movie horrorwise. The soundtrack manages to underline the flick in a befitting manner, too.
Unfortunately, the well-achieved atmosphere doesn't mean that you will be given the creeps by Cheung's work. Instead, we get a love story towards the end
which can't convince a hundred percent. The drama around Wing-Fatt's mother in fact succeeds in adding to the film's value and the movie also benefits from
Karena Lam ("Silk"). If the drama had been woven into the film in a more suitable manner and if the humor hadn't relativized it, the movie
actually could have been emotionally more involving.
It's easy to imagine that had "Keeper of Darkness" been edited differently this also could have become a completely different movie. Most importantly, better editing would have led to more coherence as well. That's what the flick truely lacks and what oftentimes drives the movie into the ground. A lot of scenes simply seem to be put together randomly. It's also a shame that the humor may be one of the more successful elements of the film, but that it also damages the horror elements. Even though the flick may be falling short considering what it could have been, the fact remains that it is a big improvement over "Hungry Ghost Story". Moreover, the atmosphere and the protagonist will win you over. The screenplay's ideas aren't bad either, yet there is still the lack of a red thread. Nonetheless, "Keeper of Darkness" certainly is interesting, and a sequel is also hinted at. Why not?