Story: Ryoichi Suzuki (Hiroki Hasegawa) once wanted to become a rock singer and even today he hasn't given up on his dream. However, at the
moment he is a shy employee at a small company, where he is constantly bullied by his colleagues. He also can't muster up the courage to confess his true
feelings to his colleague Yuko (Kumiko Aso). His only friend he finds in a turtle which he loves more than anything else. After he gets bullied because of
it by his colleagues he flushes the animal down the toilet and deeply regrets his action the very minute. He is absolutely devasted, but in the sewers
the turtle ends up with an odd old man (Toshiyuki Nishida) who seems to have magic powers. He has a family of living toys and animals that have been cast out
by their owners. Thanks to magical pills, which the old man makes, all of his toys can speak, but he accidentally gives the turtle the wrong one. Now, it can
grant wishes, even though by doing so it keeps growing and growing. Suddenly, Suzuki's life starts to take a turn for the better...
Review: Sion Sono is so busy these days that it's almost difficult to watch all the movies he brings out. No less than six movies have been
his output in 2015! Because of this he is widely regarded as the new Takashi Miike. And even though Sion Sono's style may be completely different he
shows as much diversity as his directing colleague. "Love and Peace" is a family movie revolving around the rise of a pop idol, the magic of dreams and
the people we disregard while chasing after them, although they are significantly responsible for us being able to make our dreams come true. This time, there
is once again more than just one message hidden in Sion Sono's flick and this film was especially dear to him. Yet, this drama also has some not so
splendid aspects which are the result of the director not being able to put the amount of time into the movie it probably would have deserved.
Actually, it has almost become a part of the director's style that his works are in fact a bit unpolished. His protagonists also lack the necessary amount of
elaboration at times. But this seldomly affects his stories in a negative manner. However, in "Love and Peace" it is a source of irratation that can't be
overlooked. Ryoichi Suzuki is an incredibly bothersome individual. We really feel sorry for him, being bullied by everyone around him, but then again he
also doesn't make it easy for people not to do so. Hiroki Hasegawa ("Why Don't You Play in Hell?") very often
oversteps the border to overacting. Only when he becomes a singer he manages to deliver a more or less convincing performance, but then he lacks some real
character depth. His initial morbid enthusiasm at least let us expect that there is a fleshed out character behind the facade.
The little love story doesn't work since Yuko, embodied by Kumiko Aso ("Casshern"), doesn't bring any credible character traits with her or any at all, to be
exactly. This truely doesn't help the film, especially not since the story is told in a very chaotic fashion, too. Furthermore, the talking animals in the
sewers can only make you gape in disbelief at first. It's true that you never know what you get with Sion Sono - after all, "Tag",
which came out the same year, is a gore flick - yet, the plot around dreams and toys that have a life of their own and can almost be called a christmas story
is quite a surprise. Moreover, the old man of the sewers commands some sort of magic which origin is more or less clarified later on. And next to that there
are also a few Kaiju elements.
At the latest when seeing the big puppet version of the turtle with its goggle eyes you realize that Sion Sono won't pass on the opportunity of poking fun
at the monster genre and let parts of a city be trampled down. The practical effects may be looking a bit cheap and lack the necessary amount of fine-tuning,
but they are a better choice than bad cgi effects and also remind us of Jim Henson and Co. Music is also playing a major role and thus there are a few rock
ballads to listen to. By the way, the main theme of the film was written by the director himself and without a doubt takes the same line of Japanese rockbands
whose slightly too corny ballads make women flock to concerts. So what we get to see makes us presume that there is some sort of criticism on society and a
message delivered, too. This clearly even starts with the misunderstanding surrounding the content of the song which leads to Suzuki's big breakthrough.
Being an admirer of Sion Sono's work it's easy for me to find words of praise for the director's creativity. But even though "Love and Peace" may be highly praised by critics and in fact is a movie for the whole family - isn't it very rare that you can say that? - I can't help, but criticize the rushed realiziation of the flick. The picture clearly would have deserved some finishing touches. This especially concerns the characters, which remain very shallow and thus can't carry us away emotionally, as is the case with the story in general which hardly lets you make out a red thread running through everything. There are good intentions and I can understand that the motives of dreams and desires and the socio-critical approach by the director will resonate with many viewers, but Sion Sono simply could have delivered something better.